CAVE ART by Dr. Jean Clottes How far have we come in the world of art? How did we reach a display of animals suspended in formaldehyde? What are the roots of our fascination with the representation of the real world through symbols? It is surely this explosion of symbolic thought and the beginning of modern man's creativity that we must investigate, and who better to do so than one of France’s most eminent prehistorians Dr. Jean Clottes. CAVE ART, recently published by Phaidon, is an accessible yet definitive introduction to prehistoric art, using European Palaeolithic art during the Ice Age as its platform from which to explore the global phenomenon of rock art. With clinical precision, CAVE ART lays out the salient items for consideration. "I wanted to write a book on cave art with as much information as possible, but in the simplest possible form," states Jean Clottes. "It is directed towards people who know nothing about this, as well as to specialists". And there in lies its beauty. The artworks, presented with unparalleled quality, range from spectacular cave paintings to small, delicate sculptures, representing works from key sites such as Chauvet, Lascaux and Niaux in France, as well as less-known locations. CAVE ART provides an explanation of who the artists were - 'our direct ancestors'. 'Cro-Magnons....were people like us,with the same brain, physical appearance, nervous system and cognitive abilities'. It considers what art is, using the Blombos haematite stone as the earliest possible art object attributable to modern humans. It presents the temporal context with a clear chronology, explaining the differences between the Aurignacian, Gravettian, Solutrean and Magdalenian cultures, and how these cultures created the art in an uneven geographical distribution. CAVE ART then explores the techniques, the themes, the possible meanings and the numerous interpretations, establishing that 'even if none of [the] hypotheses can be accepted in their entirety, each still played a part in bringing about a better understanding of Palaeolithic art'. After a long and full career of academic and objective examination, in CAVE ART Jean Clottes creates a compelling and highly-plausible picture of an overall belief system which persisted with little change for over twenty millennia, ending only when the Ice Age finally drew to a close.
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